<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3701327036115972023</id><updated>2011-09-17T09:24:24.507-07:00</updated><title type='text'>Playscript Series</title><subtitle type='html'>winner of the 2009 Arts &amp;amp; Culture Trust Excellence Award for Literature</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://playscriptseries.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://playscriptseries.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Playscript Series</name><uri>http://www.blogger.com/profile/17254317982407955931</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3701327036115972023.post-6228821711699294933</id><published>2011-09-17T08:26:00.000-07:00</published><updated>2011-09-17T09:24:24.538-07:00</updated><title type='text'>Short, Sharp &amp; Snappy 1 and 2: Southern African plays for high schools</title><content type='html'>&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Short, Sharp &amp;amp; Snappy1 and 2: Southern African plays for high schools&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt; compiled by Robin Malan and Colleen Moroukian, published by Junkets Publisher&lt;br /&gt;ISBN for No. 1: 978-0-9869875-9-5&lt;br /&gt;ISBN for No. 2: 978-0-9870182-1-2&lt;br /&gt;Publication-date: 1 December 2011&lt;br /&gt;Price R140.00&lt;br /&gt;&lt;br /&gt;In 2010 Junkets Publisher put out a call for short plays suitable for performance or rehearsed reading in high schools, i.e. for students aged 13 - 19.&lt;br /&gt;&lt;br /&gt;57 plays were submitted. Of these, a few disqualified themselves by being over the word-limit or unsuitable to the specified age-group.&lt;br /&gt;&lt;br /&gt;The standard was so high that compilers Robin Malan and Colleen Moroukian decided that there was material easily good enough for two volumes. Junkets Publisher will now publish the two volumes simultaneously.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;No. 1:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Rob K Baum: &lt;em&gt;The Opening&lt;/em&gt;&lt;br /&gt;Margaret Clough: &lt;em&gt;Ghosts in the Supermarket&lt;/em&gt;&lt;br /&gt;M Cassiem D'arcy: &lt;em&gt;Samson, the Storyteller&lt;/em&gt;&lt;br /&gt;Ashraf Johaardien: &lt;em&gt;Miracle&lt;/em&gt;&lt;br /&gt;Pter Krummeck: &lt;em&gt;The Future is Now&lt;/em&gt;&lt;br /&gt;Andre Lemmer: &lt;em&gt;Playing in the Park&lt;/em&gt;&lt;br /&gt;Omphile Molusi: &lt;em&gt;For the Right Reasons&lt;/em&gt;&lt;br /&gt;Barry Morgan: &lt;em&gt;Letter to D&lt;/em&gt;&lt;br /&gt;Jonathan Khumbulani Nkala: &lt;em&gt;Faith in Love&lt;/em&gt;&lt;br /&gt;S M Norman: &lt;em&gt;Tariro on Top&lt;/em&gt;&lt;br /&gt;Cassandra Puren: &lt;em&gt;To Care for You Always&lt;/em&gt;&lt;br /&gt;Caitlin Spring: &lt;em&gt;The Search&lt;/em&gt;&lt;br /&gt;Gisele Turner: &lt;em&gt;Woof Woof&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;No. 2:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Martin Hatchuel: &lt;em&gt;David and Bruce&lt;/em&gt;&lt;br /&gt;Suenel Holloway: &lt;em&gt;Cry Sis! Identity&lt;/em&gt;&lt;br /&gt;Monti Jola: &lt;em&gt;The New Struggle&lt;/em&gt;&lt;br /&gt;Andre Lemmer: &lt;em&gt;Thabo and the Tar Man&lt;/em&gt;&lt;br /&gt;Kirsten Miller: &lt;em&gt;Remember Joe&lt;/em&gt;&lt;br /&gt;Omphile Molusi: &lt;em&gt;Daddy Comes Tonight&lt;/em&gt;&lt;br /&gt;Renee Muller: &lt;em&gt;HOP-House Dance&lt;/em&gt;&lt;br /&gt;Jonathan Khumbulani Nkala: &lt;em&gt;The Bicycle Thief&lt;/em&gt;&lt;br /&gt;M Andries Phukuntsi: &lt;em&gt;Love Secondary&lt;/em&gt;&lt;br /&gt;Renos Nicos Spanoudes, Dean Salant, Gav Rubin, David Wein: &lt;em&gt;Child's Play&lt;/em&gt;&lt;br /&gt;David Stein: &lt;em&gt;The Goliath Project&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;The playwrights ...&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;range from experienced writers for the stage to those for whom this is their first play&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;in age they range from 16 to 77&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;they come from a wide spread of places in Southern Africa, from Kwekwe to Simon's Town, from Olievenhoutbosch to Schoenmakerskop&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;p&gt;The plays concern a wide range of themes and issues, including:&lt;/p&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;bullying in schools&lt;/li&gt;&lt;br /&gt;&lt;li&gt;life in a small South African town&lt;/li&gt;&lt;br /&gt;&lt;li&gt;an abandoned baby left in a window&lt;/li&gt;&lt;br /&gt;&lt;li&gt;slave stories and a traditional African folk tale&lt;/li&gt;&lt;br /&gt;&lt;li&gt;dysfunctional familes&lt;/li&gt;&lt;br /&gt;&lt;li&gt;love blossoming despite difficult situations&lt;/li&gt;&lt;br /&gt;&lt;li&gt;dealing with sexual harassment in the workplace&lt;/li&gt;&lt;br /&gt;&lt;li&gt;HIV teaching in the classroom&lt;/li&gt;&lt;br /&gt;&lt;li&gt;caring for children with disabilities; or infected with HIV&lt;/li&gt;&lt;br /&gt;&lt;li&gt;the hazards of having a bicycle&lt;/li&gt;&lt;br /&gt;&lt;li&gt;... and even ghosts in a supermarket&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;p&gt;Clearly, these two volumes will prove valuable for everyone involved in drama, theatre arts and performing arts in all high schools and teacher-training institutions. School libraries, university libraries and public libraries will be very interested to have them.&lt;/p&gt;&lt;br /&gt;&lt;p&gt;To order and for further information, please contact Junkets Publisher at email &lt;a href="mailto:info.junkets@iafrica.com"&gt;info.junkets@iafrica.com&lt;/a&gt; or telephone +27 (0)21 448 7186 or cell +27 (0)76 169 2789&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Enquire about the special Early-Bird pre-order scheme.&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:180%;color:#33cc00;"&gt;The Collected Series No. 1&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;S.A. Gay Plays 1: the Artscape Dublin Festival Plays&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;compiled by Robin Malan&lt;/p&gt;&lt;br /&gt;&lt;p&gt;ISBN: 978-0-9869875-7-1&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Price: R 160&lt;/p&gt;&lt;br /&gt;&lt;p&gt;This is an anthology of the five plays that the Artscape New Writing Programme toured to the Dublin International Gay Theatre Festival from 2006 to 2010.&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Ashraf Johaardien: &lt;em&gt;Happy Endings are Extra&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Juliet Jenkin: &lt;em&gt;The Boy Who Fell from the Roof&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Pieter Jacobs: &lt;em&gt;Dalliances&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Fiona Coyne: &lt;em&gt;Careful&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Gideon van Eeden: &lt;em&gt;Myth of Andrew &amp;amp; Jo&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3701327036115972023-6228821711699294933?l=playscriptseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://playscriptseries.blogspot.com/feeds/6228821711699294933/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3701327036115972023&amp;postID=6228821711699294933' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default/6228821711699294933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default/6228821711699294933'/><link rel='alternate' type='text/html' href='http://playscriptseries.blogspot.com/2011/09/short-sharp-snappy-1-and-2-southern.html' title='Short, Sharp &amp; Snappy 1 and 2: Southern African plays for high schools'/><author><name>Playscript Series</name><uri>http://www.blogger.com/profile/17254317982407955931</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3701327036115972023.post-6330830144562711224</id><published>2008-03-29T08:37:00.000-07:00</published><updated>2010-10-12T09:54:41.324-07:00</updated><title type='text'>Playscript Series</title><content type='html'>&lt;a href="http://bp3.blogger.com/_bicUpiJlnFc/SIsIu2Kj7TI/AAAAAAAAABk/8iOCvzNjld4/s1600-h/Nadia+Davids+Cissie+Front+Cover.JPG"&gt;&lt;/a&gt;&lt;span style="font-size:180%;color:#3333ff;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size:180%;color:#3333ff;"&gt;SEE ALSO OUR OTHER SITE&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Junkets Publisher, at &lt;a href="http://junketspublisher.blogspot.com/"&gt;http://junketspublisher.blogspot.com/&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:180%;color:#3333ff;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp3.blogger.com/_bicUpiJlnFc/R-5i_v059yI/AAAAAAAAAA0/j_Bb7HQemAM/s1600-h/Boy+who+walked+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; FLOAT: left; CURSOR: hand" id="BLOGGER_PHOTO_ID_5183189068459669282" border="0" alt="" src="http://bp3.blogger.com/_bicUpiJlnFc/R-5i_v059yI/AAAAAAAAAA0/j_Bb7HQemAM/s320/Boy+who+walked+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Robin Malan: &lt;a href="http://junketspublisher.blogspot.com/2007/01/boy-who-walked-into-world.html"&gt;&lt;em&gt;The boy who walked into the world&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This play is a stage adaptation of the novel The Story of Lucky Simelane (see below). Included in this volume are notes for teachers and community directors on presenting the play, as well as activity exercises for students.&lt;br /&gt;&lt;br /&gt;ISBN 978 -0-620-388733-0 / 97806203887330&lt;br /&gt;&lt;br /&gt;Playscript Series No. 1&lt;br /&gt;Junkets Publisher&lt;br /&gt;&lt;a href="http://bp3.blogger.com/_C1eCiVDOTkw/RbeN-LWySEI/AAAAAAAAABI/ZgG_T0C3L8w/s1600-h/lucky_simelane_full.JPG"&gt;&lt;/a&gt;&lt;br /&gt;A young man walks into the police station of a small country town. Lucky has been brought up in a small rural black community. But is he really black? ... Issues of identity and belonging crowd in on Lucky, who is thrown off balance by the publicity surrounding him, yet enjoys the attention and sudden ‘celebrity’ this brings. In the end, who is Lucky? And can Lucky cope with being Lucky?&lt;br /&gt;&lt;br /&gt;The novel &lt;em&gt;The Story of Lucky Simelane&lt;/em&gt; is published by Jacana Media&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_bicUpiJlnFc/R-5pS_0592I/AAAAAAAAABU/o3knAFuIqDY/s1600-h/Everybody+Else+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; FLOAT: left; CURSOR: hand" id="BLOGGER_PHOTO_ID_5183195996241917794" border="0" alt="" src="http://bp0.blogger.com/_bicUpiJlnFc/R-5pS_0592I/AAAAAAAAABU/o3knAFuIqDY/s320/Everybody+Else+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Karen Jeynes: &lt;a href="http://junketspublisher.blogspot.com/2007/01/everybody-else-is-fucking-perfect.html"&gt;&lt;em&gt;Everybody Else (is fucking perfect)&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;Karen Jeynes's play won the Best Writer Award, the Audience Award and the Award for Best Director in the 2005 NLDTF/PANSA Contemporary Theatre Festival (Comedy). Its first performance in the Sanlam Studio of the Baxter Theatre Centre in Cape Town took place on 7 February 2007.&lt;br /&gt;&lt;br /&gt;This volume serves as both programme for that presentation and as complete text of the play.&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-38067-6 / 9780620380676&lt;br /&gt;&lt;br /&gt;Playscript Series No. 2&lt;br /&gt;Junkets Publisher&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp1.blogger.com/_bicUpiJlnFc/R-5lIP0590I/AAAAAAAAABE/r1W7FjwPxEg/s1600-h/JenkinFCov+Col.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; FLOAT: left; CURSOR: hand" id="BLOGGER_PHOTO_ID_5183191413511812930" border="0" alt="" src="http://bp1.blogger.com/_bicUpiJlnFc/R-5lIP0590I/AAAAAAAAABE/r1W7FjwPxEg/s320/JenkinFCov+Col.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a name="2474092054520699461"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Juliet Jenkin: &lt;a href="http://junketspublisher.blogspot.com/2007/11/boy-who-fell-from-roof.html"&gt;&lt;em&gt;The Boy Who Fell from the Roof&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_C1eCiVDOTkw/Ry2s8NxBIOI/AAAAAAAAACw/u5LF_3x9KPc/s1600-h/JenkinFCov+Col.JPG"&gt;&lt;/a&gt;&lt;br /&gt;Part of the Artscape New Writing Programme&lt;br /&gt;&lt;br /&gt;Playwright Juliet Jenkin deftly enters the world of the teenage pysche in this story of a remarkable friendship, that between Simon and Georgina; as well as Simonb's life-shifting encounter with a post-graduate mathematics student, Leonard, with whom he falls in love.&lt;br /&gt;&lt;br /&gt;Nominated for Best Play at the Dublin Gay &amp;amp; Lesbian Theatre Festival 2006.&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-38958-7 / 9780620389587&lt;br /&gt;&lt;br /&gt;Playscript Series No. 3&lt;br /&gt;Junkets Publisher&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_bicUpiJlnFc/R-5mz_0591I/AAAAAAAAABM/IRiLkUatv6c/s1600-h/Itsoseng+front+cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; FLOAT: left; CURSOR: hand" id="BLOGGER_PHOTO_ID_5183193264642717522" border="0" alt="" src="http://bp0.blogger.com/_bicUpiJlnFc/R-5mz_0591I/AAAAAAAAABM/IRiLkUatv6c/s320/Itsoseng+front+cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Omphile Molusi: &lt;em&gt;Itsoseng &lt;/em&gt;and &lt;em&gt;For the Right Reasons&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;THIS PLAYSCRIPT HAS BEEN TAKEN OVER BY OXFORD UNIVERSITY PRESS SOUTHERN AFRICA. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;GO TO &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="http://www.oxford.co.za/"&gt;http://www.oxford.co.za/&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#666666;"&gt;&lt;em&gt;Itsoseng&lt;/em&gt; is a play for one actor, exploring the fortunes and personalities of a South African township before and after the 'miracle' of the 'new democracy' of 1994.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;For the Right Reasons&lt;/em&gt; is a short play written especially for schools about the aspirations and frustrations of ex-township students who now live in the suburbs, and township students who travel by train each day to attend school in the suburbs.&lt;br /&gt;&lt;br /&gt;Omphile Molusi was the first recipient of the Brett Goldin Bursary Award in 2007. He spent a month working with the Royal Shakespeare Company in Stratford-upon-Avon. In this volume he writes about his time there.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Itsoseng has been presented in 2008 at the Baxter Theatre Centre in Cape Town, the Market Theatre in Johannesburg, the King Dome Pleasance Theatre at the Edinburgh Festival, the Soho Theatre in London, and the Everyman Palace Theatre in Cork, Ireland.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#666666;"&gt;ISBN 9780620406727&lt;br /&gt;&lt;br /&gt;Playscript Series No. 4&lt;br /&gt;Junkets Publisher&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;THIS PLAYSCRIPT HAS BEEN TAKEN OVER BY OXFORD UNIVERSITY PRESS SOUTHERN AFRICA.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;GO TO &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="http://www.oxford.co.za/"&gt;http://www.oxford.co.za/&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_bicUpiJlnFc/SIsJ0RYypfI/AAAAAAAAABs/GyD7fn_55uE/s1600-h/Nadia+Davids+Cissie+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; FLOAT: left; CURSOR: hand" id="BLOGGER_PHOTO_ID_5227282586118825458" border="0" alt="" src="http://bp0.blogger.com/_bicUpiJlnFc/SIsJ0RYypfI/AAAAAAAAABs/GyD7fn_55uE/s320/Nadia+Davids+Cissie+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;a href="http://bp3.blogger.com/_bicUpiJlnFc/SIsIu2Kj7TI/AAAAAAAAABk/8iOCvzNjld4/s1600-h/Nadia+Davids+Cissie+Front+Cover.JPG"&gt;&lt;/a&gt;&lt;a href="http://bp3.blogger.com/_bicUpiJlnFc/SIsIu2Kj7TI/AAAAAAAAABk/8iOCvzNjld4/s1600-h/Nadia+Davids+Cissie+Front+Cover.JPG"&gt;&lt;/a&gt;&lt;a href="http://bp3.blogger.com/_bicUpiJlnFc/SIsIu2Kj7TI/AAAAAAAAABk/8iOCvzNjld4/s1600-h/Nadia+Davids+Cissie+Front+Cover.JPG"&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;Nadia Davids: &lt;em&gt;Cissie&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;THIS PLAYSCRIPT HAS BEEN TAKEN OVER BY OXFORD UNIVERSITY PRESS SOUTHERN AFRICA.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;GO TO &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="http://www.oxford.co.za/"&gt;http://www.oxford.co.za/&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;'The play powerfully conveys the magnitude of the events of the times in which Cissie Gool lived, the significance of what she achieved as a political leader and as a woman, and the impact of her ability to galvanise people in unpredented ways. ... The weaving of documentary fim and theatrical styles invites a rich interplay of fact, fiction, dialogue and character. At times the script captures breathtaking tragicomic moments ...' - Theresa Edlmann, Cue, Grahamstown, 27 June 2008.&lt;br /&gt;&lt;br /&gt;Cissie was first presented by the Baxter Theatre Centre and Nadia Davids in association with the National Arts Festival at the National Arts Festival in Grahamstown, 3-5 July 2008; and then enjoyed a season at the Baxter Theatre Centre in Cape Town, 9-26 July 2008.&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-41389-3 / 9780620413893&lt;br /&gt;&lt;br /&gt;Playscript Series No. 5&lt;br /&gt;Junkets Publisher&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;THIS PLAYSCRIPT HAS BEEN TAKEN OVER BY OXFORD UNIVERSITY PRESS SOUTHERN AFRICA.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;GO TO &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="http://www.oxford.co.za/"&gt;http://www.oxford.co.za/&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Posted by Playscript Series at &lt;a class="timestamp-link" title="permanent link" href="http://playscriptseries.blogspot.com/2008/07/nadia-davids-cissie.html" rel="bookmark"&gt;3:43 AM&lt;/a&gt; &lt;a class="comment-link" onclick="" href="http://www.blogger.com/comment.g?blogID=3701327036115972023&amp;amp;postID=5502963161881073298"&gt;0 comments&lt;/a&gt; &lt;a title="Edit Post" href="http://www.blogger.com/post-edit.g?blogID=3701327036115972023&amp;amp;postID=5502963161881073298"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3701327036115972023-6330830144562711224?l=playscriptseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://playscriptseries.blogspot.com/feeds/6330830144562711224/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3701327036115972023&amp;postID=6330830144562711224' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default/6330830144562711224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default/6330830144562711224'/><link rel='alternate' type='text/html' href='http://playscriptseries.blogspot.com/2008/03/playscript-series_29.html' title='Playscript Series'/><author><name>Playscript Series</name><uri>http://www.blogger.com/profile/17254317982407955931</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_bicUpiJlnFc/R-5i_v059yI/AAAAAAAAAA0/j_Bb7HQemAM/s72-c/Boy+who+walked+Front+Cover.JPG' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3701327036115972023.post-100142893541434445</id><published>2008-03-21T09:05:00.000-07:00</published><updated>2010-10-12T09:57:16.283-07:00</updated><title type='text'></title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_bicUpiJlnFc/TLSPHl2yqnI/AAAAAAAAADc/xMYDyn_o544/s1600/Mike+van+Graan+Iago%27s+Last+Dance+Front+cover+121010.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_bicUpiJlnFc/ShV-jnXhm3I/AAAAAAAAACc/Q11r8V7rZP4/s1600-h/Rajesh+Gopie+Out+of+Bounds+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 157px; FLOAT: left; HEIGHT: 249px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5338312083645766514" border="0" alt="" src="http://3.bp.blogspot.com/_bicUpiJlnFc/ShV-jnXhm3I/AAAAAAAAACc/Q11r8V7rZP4/s320/Rajesh+Gopie+Out+of+Bounds+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Out of Bounds&lt;/strong&gt;&lt;br /&gt;by Rajesh Gopie&lt;br /&gt;&lt;br /&gt;Rajesh Gopie, Durban-born actor and writer, takes us into the life and times of a South African Indian family. He brings to life some 28 characters in this thought-provoking play that both wounds and heals the human heart and ultimately celebrates family - here and everywhere.&lt;br /&gt;&lt;br /&gt;ISBN 9780 620 41648 1 / 9780620416481&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 6&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bicUpiJlnFc/ShWEc4mlupI/AAAAAAAAACs/LnaQCLp6SqQ/s1600-h/Dalliances+dublin+pic.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 181px; FLOAT: left; HEIGHT: 241px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5338318565083036306" border="0" alt="" src="http://4.bp.blogspot.com/_bicUpiJlnFc/ShWEc4mlupI/AAAAAAAAACs/LnaQCLp6SqQ/s320/Dalliances+dublin+pic.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dalliances&lt;br /&gt;&lt;/strong&gt;by Pieter Jacobs&lt;br /&gt;&lt;br /&gt;Janet is looking for love. Leo and Janet are friends. Ken is involved with Andy. When Ken meets Leo in a supermarket, the lives of these four characters intersect with extraordinary results. Dalliances is a complex moral tale reflecting a world in which everything is possible but ...&lt;br /&gt;&lt;br /&gt;Dalliances won five awards and nominations at the fifth International Dublic Gay Theatre Festival in 2008.&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-42031-0 / 9780620420310&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 7&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bicUpiJlnFc/ShWFe9ioAeI/AAAAAAAAAC0/Cz6Q5ZXNmnc/s1600-h/Malika+Ndlovu+Sister+Breyani+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 145px; FLOAT: left; HEIGHT: 243px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5338319700279951842" border="0" alt="" src="http://3.bp.blogspot.com/_bicUpiJlnFc/ShWFe9ioAeI/AAAAAAAAAC0/Cz6Q5ZXNmnc/s320/Malika+Ndlovu+Sister+Breyani+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sister Breyani&lt;br /&gt;&lt;/strong&gt;by Malika Ndlovu&lt;br /&gt;&lt;br /&gt;What happens when five sisters get together over a weekend for the first time in three years, lugging with them all the baggage which siblings carry? Is this a recipe for disaster or could it contain all the ingredients for a lovely pot of breyani?&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-43788-2 / 9780620437882&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 8&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bicUpiJlnFc/ShWnHNEFV5I/AAAAAAAAAC8/PGcG-XGICSA/s1600-h/PDU+MacBeki+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 157px; FLOAT: left; HEIGHT: 266px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5338356675525302162" border="0" alt="" src="http://1.bp.blogspot.com/_bicUpiJlnFc/ShWnHNEFV5I/AAAAAAAAAC8/PGcG-XGICSA/s320/PDU+MacBeki+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MacBeki&lt;br /&gt;&lt;/strong&gt;by Pieter-Dirk Uys&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pieter-Dirk Uys has taken his inspiration from William Shakespeare's tragedy Macbeth and structured a satirical play around it, with the focus on a familiar local political setting, enriched by many laughs. Unlike Shakespeare, Pieter-Dirk Uys does not spill any blood in his play. He spills the beans. He challenged poltical correctness and sycophantic denialism. He makes us laugh at the transparency of the ruling elite who lie to protect themselves at all costs and so dig an ever-deeper trench in which they inevitably will fall. MacBeki is a comedy. It is a farce to be reckoned with.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-43621-2 / 9780620436212&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Published by Peninsula in association with Junkets Publisher&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bicUpiJlnFc/SmckKKtOsQI/AAAAAAAAADE/dQjXgSSbqTA/s1600-h/Fatima+Dike+The+Return+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 174px; FLOAT: left; HEIGHT: 223px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5361293638499217666" border="0" alt="" src="http://4.bp.blogspot.com/_bicUpiJlnFc/SmckKKtOsQI/AAAAAAAAADE/dQjXgSSbqTA/s320/Fatima+Dike+The+Return+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Return&lt;br /&gt;&lt;/strong&gt;by Fatima Dike&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;What happens in a settled parental home in Langa in the Western Cape when son Buntu returns after eighteen years in the United States? Will his African American wife find common ground with Mama and Tata? Will Buntu find relief from the nightmares troubling him? The play explores both the humour and the tragic reality of a South African family in this time of varying and challenging transitions.&lt;br /&gt;&lt;br /&gt;ISBN 9780 620 44290 9 / 9780620442909&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 9&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bicUpiJlnFc/SmckwQ_L48I/AAAAAAAAADM/E3YgA9eDwxk/s1600-h/Jonathan+Khumbulani+Nkala+The+Crossing+Front+Cover.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 169px; FLOAT: left; HEIGHT: 242px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5361294293020173250" border="0" alt="" src="http://2.bp.blogspot.com/_bicUpiJlnFc/SmckwQ_L48I/AAAAAAAAADM/E3YgA9eDwxk/s320/Jonathan+Khumbulani+Nkala+The+Crossing+Front+Cover.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Crossing and The Bicycle Thief&lt;/strong&gt;&lt;br /&gt;by Jonathan Khumbulani Nkala&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A young man finds himself in a situation that seems hopeless – he sees no future for himself in a country on the edge of disintegration. The young man was Jonathan Khumbulani Nkala, and the country was Zimbabwe. This solo presentation tells the story of what he decided to do in order to achieve his objective, which was ‘life in abundance’. The Bicycle Thief is also included in this volume.&lt;br /&gt;&lt;br /&gt;ISBN 9780 620 44291 6 / 9780620442916&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 10&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Green Man Flashing &lt;/strong&gt;&lt;br /&gt;by Mike van Graan&lt;br /&gt;&lt;br /&gt;[Cover Image to follow]&lt;br /&gt;&lt;br /&gt;It is six weeks before the country’s second elections in 1999. Gabby Anderson, a white personal assistant, alleges she has been raped … by her boss, a black, high-profile government minister with an impeccable anti-apartheid struggle record. Sent to persuade her not to go through with the charges is Gabby’s former husband, Aaron Matshoba, the party’s major trouble-shooter.&lt;br /&gt;How do past tensions between Aaron and Gabby affect the situation? What does Inspector Abrahams know that will impact on Gabby’s attitude? How will her lawyer and long-time friend Anna advise Gabby, and why? What will Gabby be offered in exchange for dropping the charges? What will she decide?&lt;br /&gt;Green Man Flashing is a fast-paced political thriller that takes on the challenge of deep moral and political questions for which there are no ready answers, and certainly no easy ones.&lt;br /&gt;In a remarkable instance of life imitating art, the events depicted in the play were to become real-life drama in all the South African news media.&lt;br /&gt;After Athol Fugard’s early work, Mike van Graan is South Africa’s finest working playwright.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-45825-2 / 9780620458252&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;Playscript Series&lt;br /&gt;No. 11&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lord Hamlet&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;text by William Shakespeare&lt;br /&gt;collaged by Robin Malan&lt;br /&gt;&lt;br /&gt;[Cover Image to follow]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This collage puts onstage one actor speaking the words of only one character, Hamlet, from Shakespeare’s play of the same name.&lt;br /&gt;So here we have Hamlet crystallised, Hamlet himself, by himself, being himself, speaking himself, revealing himself, through the medium of one particular actor, guided by one particular director, with one particular compiler shadowly in the background.&lt;br /&gt;The question then for you, as audience, as reader, is: Whose Hamlet is this? Shakespeare’s? The actor’s? The director’s? The compiler’s? Yours?&lt;br /&gt;&lt;br /&gt;Robin Malan has book-ended his collage with an Introduction that examines some British and South African productio&lt;span style="font-family:times new roman;"&gt;n&lt;/span&gt;s of Hamlet; then some views on the character by actors and writers; as well as some interesting facts and figures about the play and the character.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-45210-6 / 9780620452106&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 12&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;Iago's Last Dance&lt;/strong&gt;&lt;br /&gt;by Mike van Graan&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;[Cover Image to follow]&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Iago's Last Dance&lt;/em&gt; is a trilogy of betrayal and vengeance, set against the backdrop of South Africa's HIV/Aids pandemic. Each play has a different set of three characters, to be played by the same three actors. Each title bears the initial letter that spells out 'HIV': &lt;em&gt;Heartbreak Medea, Iago's Last Dance&lt;/em&gt; and &lt;em&gt;Valiant Spartacus. &lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-45826-9 / 9780620458269&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Playscript Series&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;No. 13&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;London Road&lt;/strong&gt;&lt;br /&gt;by Nicholas Spagnoletti&lt;br /&gt;&lt;br /&gt;[Cover Image to follow]&lt;br /&gt;&lt;br /&gt;Stella is a Nigerian immigrant who lives in Sea Point in dodgy circumstances until ... enter Rosa.&lt;br /&gt;&lt;br /&gt;'... a mature and touching exploration of friendship between an elderly Jewish woman and her Nigerian neighbour.' - Marianne Thamm&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-45827-6 / 9780620458276&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Playscript Series&lt;br /&gt;No. 14&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Quiet Violence of Dreams&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;from the novel by K Sello Duiker&lt;br /&gt;adapted for the stage by Ashraf Johaardien&lt;br /&gt;&lt;br /&gt;The play traces the turbulent life of a young graduate adrift in an unwelcoming world, searching for friendship.&lt;br /&gt;&lt;br /&gt;'... Tshepo finds himself, much as the nation-state, born of violence, violation and male-directed brutality.' - Sam Raditlhalo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-0-620-48153-3 / 9780620481533&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Plyscript Series&lt;br /&gt;No. 15&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Train Driver&lt;/strong&gt;&lt;br /&gt;by Athol Fugard&lt;br /&gt;&lt;br /&gt;[Cover Image to follow]&lt;br /&gt;&lt;br /&gt;Published by The Fugard Theatre in association with Junkets Publisher&lt;br /&gt;&lt;br /&gt;ISBN 978-0-9869750-0-4 / 9780986975004&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3701327036115972023-100142893541434445?l=playscriptseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://playscriptseries.blogspot.com/feeds/100142893541434445/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3701327036115972023&amp;postID=100142893541434445' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default/100142893541434445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3701327036115972023/posts/default/100142893541434445'/><link rel='alternate' type='text/html' href='http://playscriptseries.blogspot.com/2009/05/out-of-bounds.html' title=''/><author><name>Playscript Series</name><uri>http://www.blogger.com/profile/17254317982407955931</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_bicUpiJlnFc/ShV-jnXhm3I/AAAAAAAAACc/Q11r8V7rZP4/s72-c/Rajesh+Gopie+Out+of+Bounds+Front+Cover.JPG' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
